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Open call for MEMBRANA # 2 – Residency For Artistic Interface Criticism

The program MEMBRANA #2 – Residency For Artistic Interface Criticism aims to provide support to a visual artist interested in developing an artwork based on the concept of Interface Bias. The artist will develop his/her project during a eight weeks residency at Hangar (Barcelona). She/he will also be invited to participate in the ongoing investigation […]
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Women, Creative Collaborations and Digital Thinking

Through the Knowledge Exchange Programme at Creativeworks London, an interesting situation has been quietly unfolding with 62% of those awarded research collaborations being women led and many projects focussing on developments in digital thinking, products or projects. This session will open a timely discussion on gender, collaborations and digital thinking. It sets out to enquire […]
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Remote Intimacy: Commission Opportunity

Remote Intimacy is a commission opportunity created by Fabrica, Brighton & Hove’s centre for contemporary art. We will commission one artist (or a pre – existing artist group), with a strong track record, to create a new work, that explores the possibility for (or actuality of) sustaining close personal relationships across geographical distance. Located primarily […]
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Narrative and Hypertext 2016

Narrative is a prevalent form of information common in our entertainment and communications, and key to our understanding of the world and its events. By building better models of narrative along with methods for generation, adaption, and presentation we enable narrative systems to become more effective but also improve our understanding of narrative structures.There is […]
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Admissions To Computational Media: MA Track

The Computational Media track emphasizes the affordances, and critique of, the technologies themselves in the context of cultural analytics and new media forms of expression. Computational Media topics include the manufacture and dissemination of humanities data and its expression, the social and ethical considerations of digital cultural heritage interventions, and the aesthetic and rhetorical value […]