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2Mar
“…this observation in turn calls for a critical examination of the degree to which “digital humanities” and “digital literary studies” still play a role in such an outdated narrative of progress; a narrative which increasingly documents a gap between a broader culture on one hand, and on the other hand the world of policy makers […]
24Jan
From app stores to art book fairs and zine shops, from darknets to sneakernets, from fansubs to on-demand services, and from tweeting to whistleblowing, the act of making things public, that is to say publishing, has became pivotal in an age infused with myriad media technologies. The tension between the publishing heritage and novel forms […]
13Jan
In sad-news-for-the-day, it looks like the archive of the acclaimed TrAce Online Writing Centre is now defunct and in need of a complete overall to get it back up and functioning. As Sue Thomas, previous Director of the Centre, says: Bad news from NTU about the trAce Archive: “NTU has hosted the Trace Archive for […]
13Oct
“From schools, through workplaces, healthcare, travel, and marketing, to everyday leisure activities and even sex, life is becoming more and more gamified. Yet the definition of gamification is still volatile. All the authors in this book try to grasp the meaning, the sense and the consequences of this accelerating trend. Gamification is widely perceived as […]
2Sep
“Queensland Digital Writing on the international stage: QUT and The Writing Platform” is an Arts Queensland-funded programme which supports collaborations between writers and interactive designers to develop works for exhibition on The Writing Platform. The first project supported by the programme is ‘Provocare‘, a digital fiction, created by Meg Vann, Mez Breeze and Donna Hancox. […]
