2016
8 Mar

Inanimate Alice: Teachers' Edition Suite Just Released

For years, early adopters have presented the Inanimate Alice series to their students, capturing their imaginations and inspiring them to create their own versions of the story. Despite all the inefficiencies of browser/wifi access, those teachers have visited and revisited the site, time and again. They have been rewarded through extraordinarily high levels of student engagement.
2016
19 Feb

Launch of The Electronic Literature Collection Volume 3

Very happy to have "The Dead Tower" included in this supercool collection. Announcing the publication of the Electronic Literature Collection Volume 3, which launched today at an event at the Stedman Art Gallery at Rutgers University, Camden. This third volume features 114 works from 26 countries in 13 languages. The latest collection, drawn from over 500 submitted and solicited works, represents a wide range of forms and styles, including poem generators, bots, interactive fiction, mobile apps, and more.
2016
16 Feb

"Inanimate Alice: The Last Gas Station" Feedback

It's certainly been a rollercoastery week [or dozen] here at MBD Headquarters, with "The Dead Tower" about to blast across the Electronic Literature stratosphere via the impending release of the Third Volume of the Electronic Literature Collection, our + Dreaming Methods' Transmedia/VR Project "Pluto" getting much Tumblr love after winning their 2015 International Award, and last [but in no way least] "
2016
6 Feb

Coming Soon: "Inanimate Alice: The Last Gas Station" Official Release

The official release of "Inanimate Alice: The Last Gas Station" (aka Episode 6) is swoon-worthy-soon!
2016
3 Feb

Digital Games as Collaborative Story-Writing Platforms

Can a game help you write a meaningful story with others? Academic discussion of collaborative story-writing games usually contains reference to Surrealist game Exquisite Corpse, known to many as Consequences. In it, a game rule prohibits players, writing in turn, from reading most of the story written before their contribution. This rule promotes a fragmented form of narrative which, although often inventive and entertaining, does not often fulfill the normal requirements of a story.